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Diego Velazquez
The Fifer (df01)
Edouard Manet
1866
Paris,Musee d'Orsay
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Diego Velazquez
The Buffoon Don Cristobal de Castaneda y Pernia (Barbarroja) (df01)
1637-1640
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Diego Velazquez
A Dwarf Sitting on the Floor (Don Sebastian de Morra) (df01)
c 1645
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Diego Velazquez
A Dwarf Holding a Tome on his Lap (Don Diego de Acedo,El Primo) (df01)
c 1645
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Diego Velazquez
The Needlewoman (unfinished) (df01)
1635-1643
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Diego Velazquez
Lady with a Fan (df01)
c 1635
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Diego Velazquez
A Country Lass (df01)
1645-1650
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Diego Velazquez
The Coronation of the Virgin (df01)
c 1645
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Diego Velazquez
Coronation of the Virgin (df01)
El greco
1590
Madrid Museo del Prado
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Diego Velazquez
St Jerome (df01)
1510-1515
Madrid,Museo del Prado
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Diego Velazquez
St Anthony Abbot (df01)
1635-1638
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Diego Velazquez
St Anthony Abbot and St.paul the Hermit (df01)
1635-1638
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Diego Velazquez
Arachne (A Sibyl) (df01)
c 1644-1648
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Diego Velazquez
venus at her Mirror (df01)
c 1644-1648
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Diego Velazquez
Ignudi (df01)
Michelangelo
1508-1512
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Diego Velazquez
Copy of Titian's The Rape of Europa (df01)
peter Paul Rubens
1628
Madrid Museo del Prado
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Diego Velazquez
The Fable of Arachne (Las Hilanderas) (df01)
c 1644-1648
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Diego Velazquez
Infanta Maria Teresa (df01)
1648
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Diego Velazquez
Infanta Maria Teresa (df01)
1651 x 1652
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Diego Velazquez
Juan de Pareja (detail) (df01)
1649-1650
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| Diego Velazquez
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Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
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